Initial commit
commit
c4e564fa07
GPG Key ID:
4D9B1C8D10EA4C50
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.*
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!.gitignore
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build
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LILY = lilypond
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LILY_FLAGS = --loglevel=WARNING
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FILES_IN = $(wildcard *.ly ./**/*.ly)
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FILES_OUT = $(FILES_IN:%.ly=$(BUILD_DIR)/$(notdir %).pdf)
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BUILD_DIR = ./build
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$(BUILD_DIR)/%.pdf: %.ly
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mkdir -p $(dir $@)
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$(LILY) $(LILY_FLAGS) --output $(@:.pdf=) $<
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all: $(FILES_OUT)
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clean:
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rm -r $(BUILD_DIR)
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dryrun:
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echo $(FILES_OUT)
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.PHONY: clean dryrun all
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# Music Scores
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Collection of music scores written in LilyPond
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\version "2.24.0"
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\language "english"
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\header {
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title = "Hatikva"
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composer = "Shmuel Cohen"
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poet = "Naftali Herz Imber"
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arranger = "H.B. Nelson"
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}
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\score {
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\midi { }
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\layout {
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\context {
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\Score
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proportionalNotationDuration = #(ly:make-moment 1/8)
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\override SpacingSpanner.uniform-stretching = ##t
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\override SpacingSpanner.strict-grace-spacing = ##t
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}
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}
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\new Staff \with {
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instrumentName = "Violin"
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shortInstrumentName = "V."
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midiInstrument = "violin"
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}
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\relative {
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\tempo 4 = 102
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\numericTimeSignature
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\time 4/4
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\override Accidental.hide-tied-accidental-after-break = ##t
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\key d \minor
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d'4\mp\downbow e f g | a2 a | bf4 a bf d | a1 |
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g2\downbow g4\upbow g\upbow | f2 f | e4 d e f | d2. a4\upbow |
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d4 e f g | a2 a | bf4 a bf d | a1 |
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g2\downbow g4\upbow g4\upbow | f2 f | e4 d e f | d1 |
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d='2\mf\downbow d'2 | d2 d | c4 d c bf | a1 |
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d,='2\downbow d'2 | d2 d | c4 d c bf | a1 |
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c4..\f c16 c4 c4 | f,2 f | g4 a bf c | a2 g4\upbow f4\upbow |
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g2 g | f2 f4.\upbow f8\upbow
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| e4 d e f | d1 |
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g4.. g16 g4 g4 | f2 f
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| g4 a bf c8.~ \grace {d16} c16 | a2 g4\upbow f4\upbow |
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g='2\downbow g | e2 f4.\upbow f8\upbow | e4 d e f | d1\fermata
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}
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\addlyrics {
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Kol _ -- ode bal -- e -- vav P' _ -- ni _ -- mah...
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Ne -- fesh Ye -- hu -- di ho _ -- mi _ -- yah,
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Ul -- fa -- 'a -- tey _ miz -- rach ka _ -- di _ -- mah...
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A -- yin l' -- tzi -- on tzo _ -- fi _ -- yah...
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Od lo av -- dah tik -- va -- te _ -- nu!
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Ha -- tik -- vah bat shnot al -- pa _ -- yim...
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L' -- hi -- yot am chof -- shi b' _ -- ar _ -- ze -- nu _
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E -- retz Tzi -- on v'Ye' -- ru -- sha -- la _ -- yim...
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L' -- hi -- yot am chof -- shi b' _ -- ar _ -- ze -- nu _
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E -- retz Tzi -- on v'Ye' -- ru -- sha -- la _ -- yim...
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}
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}
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@ -0,0 +1,140 @@
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\version "2.24.0"
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\language "english"
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\header {
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title = "Necrofantasia"
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composer = "ZUN"
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poet = "Transcribed by Jacky Yang, Leni Aniva"
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}
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violin = \new Staff \with {
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instrumentName = "Violin"
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shortInstrumentName = "V."
|
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midiInstrument = "violin"
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}
|
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\relative {
|
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\tempo 4 = 164
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\numericTimeSignature
|
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\time 4/4
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\override Accidental.hide-tied-accidental-after-break = ##t
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\key cs \minor
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\repeat volta 2
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{
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cs''=''8 e\open gs ds4 fs8 b gs~ |
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gs8 fs e\open ds4 e8-4 ds b |
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fs='8 cs' e-4 c4 ds8 gs e~\open |
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e8 cs gs e'-4 ds16 e-4 ds e-4 cs8 ds8 |
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e=''8\open fs gs fs4
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\override NoteHead.color = "blue"
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b8 cs
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\override NoteHead.color = "black"
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gs~ |
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gs8 b fs gs e-4 gs, ds' gs, |
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gs='8 cs e-4 ds4 gs,8 fs gs~ |
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\alternative {
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\volta 1 { gs2 gs8 gs b ds | }
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\volta 2 { gs,='2~\repeatTie gs8 r4. | }
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}
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}
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\key cs \major
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\repeat volta 2
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{
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as='4 es' bs es | cs4. ds4. gs4 | as4.-3
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\override NoteHead.color = "blue"
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a2~-1 a8 | cs4. bs4. as4 |
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as=''4.
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\override NoteHead.color = "black"
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gs4.-2 as4 | es4 gs ds bs | cs4. bs2~ bs8 |
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\alternative {
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\volta 1 { es=''4. ds2~ ds8 }
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\volta 2 { es1 }
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} |
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}
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\key fs \minor
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\repeat volta 2
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{
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% Modifications cf. the one by Jacky Yang
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% 1. Moved down by an octave
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% 2. Removed notes across an octave
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d=''4 d8 d r d d r | cs4 cs8 e4 e8 fs8 r8 |
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d=''4 r8 cs4 r8 d4 | r1 |
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<b=' b'>4-1-4 8 8 r8 8 8 r8 | <cs cs'>4-1-4 8 8 r8 8 8 r8 |
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cs'='''4-4 8 8 r8 cs8 8 r8 | fs,4-1 r8 as4 r8 fs4 |
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%d'='''4 d8 d r d d r | cs4 cs8 e4 e8 fs8 r8 |
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%d='''4 r8 cs4 r8 d4 | r1 |
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%<b, b'>4 8 8 r8 8 8 r8 | <cs cs'>4 8 8 r8 8 8 r8 |
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%cs'=''4 8 8 r8 cs8 8 r8 | fs,4 r8 bf4 r8 fs4 |
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}
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\key c \major
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r1 |
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e=''4-2 c'-3 b d,8 e~ | e=''2.. r8 |
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e4 d' c b8 c8~ | c='''4 b a g8-2 a8~ |
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a4 g e g8 a8~ | a=''4 g e g8 e~ |
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e4 d-1 e g8 e~ | e=''2.. r8 |
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e=''4-2 c'-3 b d,8 e~ | e=''2.. r8 |
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||||
e=''4 d' c b8 c8~ | c='''4 b a g8-2 a~ |
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||||
a=''4 g e g8 a~ | a=''4 g e g8 <cs, a'>~-2-3 |
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1~ | 2.. r8
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||||
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c=''4 e d b8 c8~ | c2.. r8 |
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||||
c4 d e d8 e8~ | e4 d c b8 c8~ |
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c4 b a b8 c8~ | c4 b a b8 a8~ |
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||||
a4 b c b8 c8~ | c2.. r8 |
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||||
a='4 e' d b8 c8~ | c2.. r8 |
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||||
c4 d e d8 e8~ | e4 d c b8 c8~ |
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||||
c4 b a b8 c8~ | c4 b a b8 cs8~ |
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1~ | 2.. r8 |
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% same section as above, but shifted up, and with more "colourful" notes
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%c='''4 e d b8 c8~ | c2.. r8 |
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%c4 d e d8 e8~ | e4 d c b8 c8~ |
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%c4 b e, b'8 c8~ | c4 b e, b'8 e,8~ |
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%e4 d c g'8 a8~ | a2.. r8 |
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%a=''4 e' d b8 c8~ | c2.. r8 |
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%c4 d e d8 e8~ | e4 d c b8 c8~ |
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%c4 b a b8 c8~ | c4 b a b8 cs8~ |
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%1~ | 2.. r8 |
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\key gs \minor
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gs='2.. r8 | gs4 as b cs8 gs8~ |
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gs2.. r8 | ds'4 cs b cs8 b8~ |
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b4 as gs as8 b8~ | b4 as gs as8 b8~ |
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b4 cs ds cs8 ds8~ | ds2.. r8 |
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ds=''2.. r8 | gs,4 as b as8 b8~ |
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b4 as gs fs8 gs8~ | gs2.. r8 |
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ds'4 cs b cs8 b8~ | b4 as gs as8 bs8~ |
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1~ | 2.. r8 |
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% Fitted closer to ZUN version
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%ds='''2.. r8 | gs,4 as b as8 b8~ |
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%b4 as gs fs8 gs8~ | gs2.. r8 |
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%ds'4 as b cs8 b8~ | b4 as gs as8 bs8~ |
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%bs1~ | bs2.. r8 |
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% The original last 32 bars (below * 2) are slightly different
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%gs=''2.. r8 | gs4 as b cs8 gs8~ |
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%gs2.. r8 | gs4 cs b cs8 b8~ |
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%b4 as gs as8 b8~ | b4 as ds, as'8 b8~ |
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%b4 cs ds cs8 ds8~ | ds2.. r8 |
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%ds='''2.. r8 | gs,4 as b as8 b8~ |
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%b4 as gs fs8 gs8~ | gs2.. r8 |
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%gs4 as b cs8 gs8~ | gs4 as gs as8 bs8~ |
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%bs1~ | bs2.. r8 |
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}
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\score {
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\violin
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\layout {
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\context {
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\Score
|
||||
proportionalNotationDuration = #(ly:make-moment 1/4)
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\override SpacingSpanner.uniform-stretching = ##t
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||||
\override SpacingSpanner.strict-grace-spacing = ##t
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||||
}
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}
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}
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\score {
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\unfoldRepeats {
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\violin
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}
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\midi { }
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}
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\version "2.24.0"
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\language "english"
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\header {
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title = "Säkkijärven Polkka"
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composer = "Finnish Folk Song (arr. Carson Smith)"
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poet = "Transcribed by Leni Aniva"
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}
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violin = \new Staff \with {
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instrumentName = "Violin"
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shortInstrumentName = "V."
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midiInstrument = "violin"
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||||
} \relative {
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\tempo 4 = 115
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\numericTimeSignature
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\time 2/4
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\override Accidental.hide-tied-accidental-after-break = ##t
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\key bf \major
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\clef treble
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c''16\<\ff b c d ef d ef e | f e f g af g f af |
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g='' g, b d g f ef d | c8 r <c c'>4\fff \! |
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\repeat volta 2 {
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c=''8.\ff g16 f8 ef8 | ef8 d8 d4 |
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g8. f16 ef8 d8 | d8 c8 c8 g'8 |
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c8. g16 f8 ef8 | ef8 d8 d4 |
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g8. f16 ef8 d8 | c8 r <c' c'>4\sfz
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}
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\repeat volta 2 {
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g='8 c8 c8 c16 d16 | c8 b8 b4 |
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g='8 d'8 d8 d16 ef16 | d8 c8 c4 |
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g='8 c8 c8. d16 | c8 b8 b4 |
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g='8. g16 a8 b8 | c4 c4
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||||
}
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% viola range
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c,='16 b c d ef d ef e | f e f g af g f af |
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g=' g, b d g f ef d | ef d c b c g a b |
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c=' b c d ef d ef e | f e f g af g f af |
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g g, b d g f ef d | c4~ c16 g' a b |
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% change g' a b to g a b on the line above to use viola range.
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% violin range
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c=''\f b c d ef d ef e | f e f g af g f af |
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g='' g, b d g f ef d | ef d c b c g a b |
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c='' b c d ef d ef e | f e f g af g f af |
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g='' g, b d g f ef d | c4 <g' c>4 |
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% chorus
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\repeat segno 2 {
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||||
g,='8\ff g16 ef16 c8 c16 ef16 | g8 g16 ef16 c8 c16 ef16 |
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||||
g8 g16 g16 af8 g16 g16 | f8 f16 ef16 d4 |
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||||
f8 f16 e16 d8 d16 ef16 | f8 f16 ef16 d8 d16 ef16 |
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||||
f8 f16 f16 g8 f8 | ef8 ef16 d16 c4 |
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||||
g'='8 g16 ef16 c8 c16 ef16 | g8 g16 ef16 c8 c16 ef16 |
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||||
g8 g16 g16 c8 bf8 | af8 af16 g16 f4 |
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||||
af8. g16 f8 af8 | g16 af g f ef8 c8 |
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d8 d16 c16 b8 d8 | c4 c4 |
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||||
g''=''8 g16 ef16 c8 c16 ef16 | g8 g16 ef16 c8 c16 ef16 |
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||||
g8 g16 g16 af8 g16 g16 | f8 f16 ef16 d4 |
|
||||
f8 f16 ef16 d8 d16 ef16 | f8 f16 ef16 d8 d16 ef16 |
|
||||
f8 f16 f16 g8 f8 | ef8 ef16 d16 c4 |
|
||||
g'=''8 g16 ef16 c8 c16 ef16 | g8 g16 ef16 c8 c16 ef16 |
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||||
g8 g16 g16 c8 bf8 | af8 af16 g16 f4 |
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||||
af8. g16 f8 af8 | g16 af g f ef8 c8 |
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||||
d8 d16 c16 b8 d8 | c4\sfz c4\sfz
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||||
}
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||||
}
|
||||
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||||
\score {
|
||||
\violin
|
||||
\layout {
|
||||
\context {
|
||||
\Score
|
||||
proportionalNotationDuration = #(ly:make-moment 1/12)
|
||||
\override SpacingSpanner.uniform-stretching = ##t
|
||||
\override SpacingSpanner.strict-grace-spacing = ##t
|
||||
}
|
||||
}
|
||||
}
|
||||
\score {
|
||||
\unfoldRepeats {
|
||||
\violin
|
||||
}
|
||||
\midi { }
|
||||
}
|
||||
|
|
@ -0,0 +1,112 @@
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|||
\version "2.24.0"
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||||
\language "english"
|
||||
\header {
|
||||
title = "Still Alive (Portal)"
|
||||
composer = "Jonathan Coulton"
|
||||
poet = "Transcribed by Leni Aniva"
|
||||
}
|
||||
\score {
|
||||
\midi {
|
||||
\context {
|
||||
\Score
|
||||
midiChannelMapping = #'instrument
|
||||
}
|
||||
}
|
||||
\layout {
|
||||
\context {
|
||||
\Score
|
||||
proportionalNotationDuration = #(ly:make-moment 1/2)
|
||||
\override SpacingSpanner.uniform-stretching = ##t
|
||||
\override SpacingSpanner.strict-grace-spacing = ##t
|
||||
}
|
||||
}
|
||||
\new Staff \with {
|
||||
instrumentName = "Violin"
|
||||
shortInstrumentName = "V."
|
||||
midiInstrument = "violin"
|
||||
}
|
||||
\relative {
|
||||
\tempo 4 = 114
|
||||
\numericTimeSignature
|
||||
\time 4/4
|
||||
\override Accidental.hide-tied-accidental-after-break = ##t
|
||||
\key c \major
|
||||
\clef treble |
|
||||
g'8\downbow\mp fs e e fs2~ | 2 r4. a,8\upbow |
|
||||
g'8 fs e e~ e8 e4. | d='4 e8 a,~ a r4. |
|
||||
r4. a8\upbow e'4 fs8 g8~ | g4 e8 cs8~ 8 d4 e8~ | \break
|
||||
4 a,8 8~ 8 fs'4.-. | r1 |
|
||||
g8\downbow fs e e fs2~ | 2 r4. a,8\upbow |
|
||||
g'8 fs e e~ e r8 fs8 d8~ | 8 r8 e8 a,8~ a r4. | \break
|
||||
r2 e'='4\downbow fs8 g8~ | 4 e8 cs~ cs4 d8 e8~ |
|
||||
8 a, d e f e d c~ | c r a\mf bf c4 f |
|
||||
e8 d d c d c c4 | c4 a8 bf8 c4 e4 | \break
|
||||
g8 f e d d e f4 | f4 g8 a bf bf a4 |
|
||||
g4 f8 g a a g4 | f4 d8 c d d f e~ |
|
||||
8 e fs fs~ fs r r4 | r2.. a,8\upbow\mp | \break
|
||||
g'8 fs e e~ e fs4.-. | r1 |
|
||||
g='8 fs e e~ e4 fs8 d8~ | 8 e4 a,8~ 8 r4. |
|
||||
r2 e'4\downbow fs8 g8~ | 4 e4 cs4 d8 e8~ | \break
|
||||
e='4 a,8 8~ 8 fs'4.-. | r2.. a,8\upbow |
|
||||
b'='8 a g g a4 r4 | r2.. a,8\upbow |
|
||||
b'='8 a g g~ g4 a8 fs8~ | fs4 g8 d8~ 8 r4. | \break
|
||||
r2 e4\downbow fs8 g8~ | g4 e4 cs4 d8 e8~ |
|
||||
e8\< a,8 d8 e8 f8 e8 d8 c8~\! | 8 r8 a8\mf bf8 c4 f4 |
|
||||
e8 d8 d8 c8 d8 c8 c4 | c4 a8 bf8 c4 f4 | \break
|
||||
g8 f e d d e f4 | f4 g8 a8 bf8 bf8 a4 |
|
||||
g4 f8 g8 a8 a8 g8 f8 | f4 d8 c8 d8 d8 f8 e8~ |
|
||||
e8 e8 fs8 fs8~ 8 r4. | r1 | \break
|
||||
r1 | r1 |
|
||||
g8\downbow\mp fs8 e8 8~ 8 fs4.-. | r2.. a,8\upbow |
|
||||
g'='8 fs8 e8 8~ 4 f8 d8~ | d4 e8 a,8~ 8 r4. | \break
|
||||
r2 e'='4 fs8 g8~ | g4 e4 cs4 d8 e8~ |
|
||||
e4 a,8 8~ 8 fs'4.-4 | r1 |
|
||||
g='8\mf fs8 e8 8~ 8 fs4.-. | g='8 fs8 e8 8~ 4 fs8 d8~ | \break
|
||||
d4 e8 a,8~ 4 r4 | r2 e'4\downbow fs8 g8~ |
|
||||
g4 e4 cs4 d8 e8~ | e8 a,8 d8 e8 f8 e8 d8 c8~ |
|
||||
c8 r8 a8 bf8 c4 f4 | e8 d8 d8 c8 d8 c8 c4 | \break
|
||||
c4 a8 bf8 c4 f4 | g8 f8 e8 d8 d8 e8 f4 |
|
||||
f4 g8 a8 bf8 bf8 a8 a8 | g4 f8 g8 a8 a8 g8 f8 |
|
||||
f4 d8 c8 d8 d8 f8 g8~ | g8 g8 fs8 8~ 8 r4. | \break
|
||||
r4 a8\downbow\mp a8 b8 a8 fs8 d8~| d8 e8 fs8 8~ 4 r4 |
|
||||
r8 a8\upbow a8 a8 b8 a8 fs8 d8~ | d8 e8 fs8 8~ 4 r4 |
|
||||
r8 a8\upbow a8 a8 b8 a8 fs8 d8~ | d8 e8 fs8 8~ 4 r4 | \break
|
||||
r4 a8\downbow a8 b8 a8 fs8 d8~ | d8 e8 fs8 8~ 4 r4 |
|
||||
r8 a8\upbow a8 a8 b8 a8 fs8 d8~ | d8 e8 fs8 8~ 4 r4 |
|
||||
r8 g8\upbow\> a8 8~ 4 r4 | r8 g8\upbow\! fs8 8~ 8 r4. |
|
||||
}
|
||||
\addlyrics {
|
||||
This was a _ triumph. I'm making _ a note here, HUGE SUC -- CESS.
|
||||
It's hard to over __ __ state my satis- ____ - fac -- tion.
|
||||
Aperture _ _ _ Science. We do what we must, be -- cause we can.
|
||||
For the good of all of us, except the ones who are dead. _
|
||||
|
||||
But there's no sense cry -- ing over _ every _ mis -- take. You just keep on
|
||||
trying _ 'til you run out of cake. And the science _ gets done
|
||||
and you make a neat gun. For the people _ who are Still Alive _
|
||||
|
||||
I'm not e -- ven ang -- ry. I'm being _ so sincere _ right now.
|
||||
Ev -- en though you broke my heart and killed me. And tore me to pie -- ces.
|
||||
And threw ev -- ery piece in -- to a fire. As they burned, it hurt be --
|
||||
cause, I was so ha -- ppy for you.
|
||||
|
||||
Now the -- se points of data make a beau -- ti -- ful line, and we're out of
|
||||
beta, we're re -- lea -- sing on time. So I'm glad I got burned; Think of
|
||||
all the things we learn -- ed. For the people _ who are Still Alive. _
|
||||
|
||||
Go ahead and leave me. I think I pre -- fer to stay in -- side. May -- be
|
||||
you'll find some -- one else to help you. May -- be black me -- sa. That was a
|
||||
joke; ha -- ha fat chance. A -- ny -- way this cake is great. It's so de -- li
|
||||
-- cious and moist.
|
||||
|
||||
Look at me still tal -- king when there's sci -- ence to do. When I look out
|
||||
there, it makes me GLaD I'm not you. I've ex -- peri -- ments to run, there is
|
||||
re -- search to be done. _ On the people _ who are Still Alive. _
|
||||
|
||||
Be -- lie -- ve me I am Still Alive. _ I'm doing sci -- ence and I am Still
|
||||
Alive. _ I feel fan -- ta -- stic and I'm Still Alive _. While you're dy --
|
||||
ing I'll be Still Alive. _ And when you're dead I'll be Still _ Alive. _
|
||||
Still Alive _ Still Alive
|
||||
}
|
||||
|
||||
}
|
||||
Loading…
Reference in New Issue